Catherine Gander

two poems

Pinus Pinea


From the corners of my madness    I watch you
your opposite     loving you
in the middle of

the third day     of sickness     the cloud-
scudded sky       prismatic
with birdsong

I think of Merwin      all the languages until now
have flowed from leaf to leaf

why can’t I    

tell you      my map      has expired    
my tongue    cannot pronounce   
your face 

time bitten     moon marbled    let no look be   
the last      parasol pine  
spinning a blue  

gauze world    your strength    in gentleness     
your arms     goading   
god himself       to leap

 

Aftermath


A full moon
– ivory, aching –
silvers your branches

It’s always best to observe it
my husband says
putting the telescope away
when part of it is hidden
you see more
 

*

This morning on my way to the clinic
I drove past fields of sunflowers
I marvelled at the sea of heads
tilted in uniform worship

On the drive back
they were looking straight up
open faces resplendent
exposed

*

Dear tree, I will never forget you
(the grammar of promises
already pushing us apart)

*

The restaurant by the lake is serving antipasti del lago
which everyone agrees are delicious.
I pull down my mask to eat

*

In dark water
Pike sleep
discretely
disk-eyes open
bodies in perfect balance

*

I will surround myself with your memory, tree, 
I will walk through you to find myself

*

The hot fingers of the night
percuss the surface of the lake for ills
a thousand green frogs answer
here and here and here

the waters are boiling
our home is shrinking
each summer these mud banks grow

*

Future perfect:
By the next new moon
I will have gone

*

Under a streetlamp
in a pool of yellow light
husks of chironomids pile higher

After a while
a waitress exits
the restaurant with a broom

 

Catherine Gander was born in England and lives in Ireland. Her recent poetry can be found in Poetry London, Palette, On the Seawall, Bad Lilies, and more. She is the author of Matches (forthcoming) and the co-author of Sea Between Us (Nine Pens Press 2022).